Greydon Square Interview – Prominent People Project
October 10, 2010 § 3 Comments
To celebrate my blog’s First Birthday, I am today launching the Prominent People Project.
This is the first in a series of interviews I will be posting of people who are prominent in the worlds of atheism, science, skepticism and rational thought.
My first interview is with the American Hip Hop artist Greydon Square. Born Eddie Collins in 1981, Greydon is an atheist musician whose topics cover science, faith and politics. His lyrics are intelligent and succinct, and since listening to his music I have been sent on a journey of discovery about topics like The Kardashev Scale, Extropianism, and Dyson Spheres, and have also been introduced to other prominent people in science such as Michio Kaku. His latest and third album entitled “The Kardashev Scale” includes samples from Michio Kaku and Carl Sagan among others.
This interview was conducted via email in October 2010.
AC: Greydon Square, I absolutely love your new album “The Kardashev Scale”. Musically it is complex and varied, and the whole album is refreshingly intelligent in a world where music is more about profiteering and selling product than making a true artistic statement. The content and context of your lyrics are intelligent, questioning, enlightening and thought-provoking. How difficult is it to write music and lyrics with substance?
GS: Well thank you first for your comments on the album. I would answer by saying you go through writing periods that are more substance filled than others. What I try to do is keep only the lyrics and songs that convey that substance, and the stuff that doesn’t rarely makes it to album.
AC: You have a very interesting story to tell about your life; orphaned and brought up in a group home, gang life, Iraq war veteran, and physics student. To what degree do each of these elements of your life influence your work? Which is the strongest influence on you?
GS: Nothing influences any more than the other as far as I know. I think it all depends on where I’m at at the time. I know that’s a simplified answer but, its only really as complicated as calling on life experiences to help fortify the meaning of lyrics I wish to convey more vividly. Group Homes, ganglife, deployment, school, it all plays a part in song writing.
AC: I was brought up in a secular household, where both of my parents had studied science in university in the USA. Their parents were strong Protestants, as were their grandparents. What was the religiosity like when you were growing up? Can you tell me if there was a pivotal moment in your life at which time you realized you were in fact atheist? If so, what was it?
GS: Nearly all of the group homes I was in growing up was sponsored or had some direct relationship with a church or religious organization. From 7th Day Adventist to LA church of Christ, Episcopalian group homes, even Catholic sponsored boys homes. I didn’t understand or became an atheist until I was 25. My de-conversion had to do with a devout ex and our disagreement on the nature of god. After a lot of reading, and research, I realized, I didn’t have any secret channel picking up secret messages from god or anyone else. That voice in my head was my own. Then I started thinking about if an all-powerful being is even possible, by that time, I had already declared my position agnostic, and shortly after denounced and rejected all other remaining religions. Since my beliefs do not include the supernatural or any deities, and stem from a humanistic perspective, I recognize that as an atheistic position.
AC: Your work is not all about atheism. You talk philosophically about the future of humanity, politically about problems in society, particularly in the USA, and also about science and technology. What would you say is your favorite topic for your music, and why?
GS: Believe it or not, my favorite subject is about how shady the music industry is. An old topic i know, but i find that a lot of underground and independent artists, still have this idea that some record company is going to ride in and sweep them off their feet. Give them the lifestyle they always wanted and dreamed of. Sadly, that’s never the way it was, and most artists never get the memo. Or research the history of the music business. I may not be a millionaire, but in the words of Immortal Technique “You don’t own me”. I like that.
AC: You talk about being “a black atheist, and there’s more of us than you think,” on more than one occasion. What importance do you give to being “a black atheist”, and is atheism becoming more prominent in black communities, in your experience?
GS: Well its a big deal because as a recent study showed agnostics and atheists tend to be more educated about the religions they reject. So you have to ask yourself, do blacks know enough about the religion they subscribe to so blindly? I think if blacks knew more about said religions, there would be more African American non-believers, but because in OUR communities blind faith is more valuable than “white man’s science”, it’s harder to convince your peers that religion is an empty answer regardless of your race or creed. I’m just trying to convince more blacks to just READ more about religion. I have no problem reading religious text, because i can process such information objectively, why can’t my reading suggestions be received the same way by my black peers?
AC: I have a huge love for Carl Sagan and Ann Druyan’s work, and take a lot of my worldviews from his words. What do you think was so special about Carl Sagan’s work that makes him such an inspiration for so many, even 14 years after his death? Who else influences your work and why?
GS: He was science’s poet as far as I’m concerned. Sagan’s passion for knowledge and truth is what drives me and what I do. He was always on a quest for knowledge, wherever it led. I think that’s brave. I aspire to be like that. Kaku is great, Robert G Ingersoll, Laurence Krauss, The Four Horsemen, and Fela Kuti.
AC: When we look at the news, climate forecasts, environmental reports and the like, the future for humanity seems quite bleak, and yet your lyrics talk optimistically about the future. Where does this optimism come from?
GS: I don’t know to be honest with you. I don’t know if I’m as optimistic as I once was. Don’t get me wrong, I’m no armageddonist or anything, but I do think in the next 5 to 10 years its going to get worse for humanity before it gets better. I’m optimistic about the far future, but i think this society has to see that it has been wrong the whole time about some of its major institutions. Only then can we actually try to take that next step, and THAT’S the part I’m excited about. Right now there isn’t much to be excited about though…Sorry.
AC: Religion is in the news much more commonly than in previous decades. From an outsider’s perspective it would seem that matters of faith are more prominent in people’s minds than ever before. What, in your opinion, would you say is the reason behind this? Is religion getting more powerful, or is it losing its grip on the psyches of humankind?
GS: Well first, a lot of what was done in the dark is starting to come to the light, just ask the vatican. Seriously though, I think its just becoming more polarized. The believers REALLY want you to know they believe, and non-believers really are tired of old fables and books having a say in our development as a species. So the voices are getting louder. I think more and more people are waking up, and the religious people are a bit concerned about it.
AC: Your latest album “The Kardashev Scale” and particularly the opening track “Star View” talks about longevity and immortality. We now have technologies that can change the way humans live, and yet a lot of these technologies are being held back for pseudo-religious and political reasons. Why do you think people are so afraid to step forward into a possible new human future? Do you think what we as a society will get past this fear?
GS: THIS society wont. Those who are interested in such an endeavor, are in the extreme minority, and probably wouldn’t be allowed to pursue something like extreme longevity legally. Our society fears this type of tech because its something we can’t really comprehend. To live for that exceptional amount of time, those would think those who have the ability to do so shouldn’t be able to. How do to you prevent this technology from being only available to the wealthy? This would make us have to challenge what rights we have at a fundamental level. I mean who has the right to live forever?
AC: Do you look to the future with fear and trepidation or with optimism?
GS: The short-term, I’m very pessimistic about the future of America, and the world. In the long-term, humans will be just fine. This is just a stage we are in, and in a couple thousand years, there will be virtual exhibits about the stupidity of today’s human.
AC: Discovering your music was such a refreshing change from the dull corporatized music that is prevalent these days. It has inspired me on more than one occasion. Tell me, what is it that inspires you to make music?
GS: Well thank you. Other non corporatized music. I like emcee’s that make me say “ugh” like the rhyme is just super gross. Check out cats like Canibus, Big Gripp, Johnny Hoax, Span Phly, Prince Ea & MegaRan. These are emcees that make me want to write.
Greydon Square’s latest album “The Kardashev Scale” and his earlier 2 albums “The CPT Theorem” and “The Compton Effect” are available for download at Bandcamp and also through iTunes. Go buy them! You won’t be disappointed!